Swiss director Sabine Boss loves to tell stories of all kinds – a passion she has successfully pursued in film, television, and theatre since graduating from the Zurich University of Arts in 1996. Having set high standards for herself, Boss desired to expand her education as a film director by working at the Schauspielhaus Hamburg for three years. There, she gained deep sensitivity for working with actors – a much praised passion which she is passing on to film students in actor’s directing classes at the Zurich University of the Arts since 2011. In 2002, she realized her first feature film, the light-hearted political comedy ERNSTFALL IN HAVANNA, which remains among the Top 10 of the most successful Swiss films ever made. Boss regularly rises to the challenge of directing well- made television productions, too: Her writer-director debut STUDERS ERSTER FALL received critical acclaim for its innovative modernization of Friedrich Glauser’s novel “Matto regiert”. Her latest work is another film adaptation: With great insight and sensitivity she put Pedro Lenz’ best-selling novel DER GOALIE BIN IG on the big screen. For this, Boss was honored with the Swiss Film Award in 2014, and she proved once more her great ability to empathize with the challenges of human relationships.
DRIVE, a simmering crime tale of tenderness and brutality, SNOW WHITE AND THE HUNTSMAN, a breath- taking revision of the beloved fairytale, and numerous captivating adaptations of literary classics – Hossein Amini is not only a versatile scriptwriter, but has a sure feeling for promising stories as well. For his adaptation of Henry James’ novel THE WINGS OF THE DOVE, starring Helena Bonham Carter, he received an Oscar® nomination in 1998. Before that, Amini captivated the bleak and shocking grimness of Thomas Hardy’s novel “Jude the Obscure” for the screen, which laid the foundation for the critical acclaim Michael Winterbottom’s JUDE received. In 2011, Amini’s script for DRIVE elevated him to the top league of international screenwriters: The film achieved overnight cult status, turned Ryan Gosling into one of Hollywood’s most sought-after actors, and was nominated for the Palme d’Or in Cannes. Amini’s most recent writing success is his directorial debut THE TWO FACES OF JANUARY, an adaptation of Patricia Highsmith’s thriller of the same name, which stars Viggo Mortensen, Kirsten Dunst, and Oscar Isaac.
Christian Petzold has become one of the most important contemporary German directors since he graduated from the German Film and Television Academy Berlin (dffb) 20 years ago. In 2000, he made his cinematic debut with DIE INNERE SICHERHEIT, which won the German Film Award. The film was also the kick-off for his “Gespenster Trilogy”, a succession of thematically affiliated films including GESPENSTER and YELLA. The trilogy composes a spectral image of contemporary Germany that oscillates between familiarity and strangeness, personal isolation and social invisibility. In 2011, Petzold collaborated with Christoph Hochhäusler and Dominik Graf on the TV mini series DREILEBEN, which consists of three crime films revolving around the same topic and characters but realized in different auteur styles. It was honored with the German Television Award. Petzold’s most recent film, BARBARA was also a big success; for his sensitive DDR-drama he was awarded the Silver Bear for “Best Director”. Petzold prefers to work repeatedly with like-minded film art- ists. Among them are actress Nina Hoss and director Harun Farocki, who passed away in July 2014.
Stefan Ruzowitzky is one of Austria’s most versatile directors. After his graduation, he started working as a freelance director, writer, and editor for television, commercials, and music videos. In 1996, he ventured to write and direct his first feature film TEMPO, a coming-of-age drama, which was awarded the Max Ophüls Preis for its perceptive depiction of Vienna’s youth culture. His next feature film, DIE SIEBTELBAUERN, was also a huge success and won many international awards, among them the prize for “Best Picture” at the Inter- national Film Festival Rotterdam. With ANATOMIE and the children’s film HEXE LILLI, Ruzowitzky demonstrated once again his versatility and aptitude to direct high-quality genre films with enormous popular success. The sensitive Holocaust drama DIE FÄLSCHER was Ruzowitzky’s international breakthrough: a great hit at festivals as well as in theaters and winner of the 2008 Oscar® for “Best Foreign Language Film”. In 2012, his first American film DEAD- FALL, starring Eric Bana, Olivia Wilde, Sissy Spacek and Kris Kristofferson, premiered at the Tribeca Film Festival.
Nadav Schirman is not only one of Israel’s most promising documentary filmmakers; the Frankfurt-based director and producer has a keen instinct for how to wrap a documentary as a dramatic thriller. His first feature documentary THE CHAMPAGNE SPY – centering on a son who discovers his father is a Mossad Agent – won the Israeli Academy Award for“BestDocumentary”. In 2013, he again explored family relations under pressure when shooting IN THE DARK ROOM, a film about the wife and daughter of terrorist “Carlos the Jackal”. Schirman’s latest coup, THE GREEN PRINCE marks the current high point of his career: The Israeli producer-director not only pushed the boundaries of the documentary genre by shaping a highly emotional and compelling thriller; he also crafted an intensely suspenseful and emotionally gripping narrative that was rightly honored with various awards, including the Audience Award at the prestigious Sundance Film Festival. Due to the success of the documentary, a feature film based on THE GREEN PRINCE is currently in the making.
Stefan Arndt was born in Munich, Germany in 1961. Throughout his career he has produced over 20 films, most of which received international releases and worldwide critical acclaim. Together with directors Tom Tykwer, Wolfgang Becker, and Dani Levy, he founded the production company X Filme Creative Pool in 1994. Four years later, he celebrated his international break- through with Tom Tykwer’s LOLA RENNT. Many sucessful productions have followed, which earned him a total of 11 German Film Awards, 10 European Film Awards, 2 Golden Globes®, and most recently an Academy Award® and the Palm D’Or for AMOUR. For 20 years, Arndt has mastered the balancing act of producing sophisticated films which nevertheless appeal to wide audiences. With THE CLOUD ATLAS he realized the most expensive German film to date, but he still remains a supporter of young German film- makers and established directors of the European art house scene. As producer, distributor (X Verleih AG), and one of the founding fathers of the German Film Academy, he has established himself as a distinctive figure in German film industry.