Having grown up in West Africa, French director Claire Denis has always grappled with subjects like identity and the transgression of social and cultural bound- aries. After studying at today’s La Fémis in Paris, she worked as an assistant director to Jacques Rivette, Wim Wenders, Jim Jarmusch, and others. She made her directorial debut in 1988 with CHOCOLAT, a quiet and sensible examination of (post-)colonial racial tensions in Cameroon. The solidarity with margin- dwellers and reflections on the social exclusion of the “other” have marked her following eleven feature films as well. In 1996, Denis received the Golden Leopard in Locarno for NÉNETTE ET BONI. Her film BEAU TRAVAIL three years later, the fourth collaboration with cinematog- rapher Agnès Godard, further reinforced her international acclaim. With works like the body horror film TROUBLE EVERY DAY as well as the dramas 35 RHUMS, WHITE MATERIAL, and LES SALAUDS, Claire Denis has established herself as one of the most important con- temporary filmmakers.