Jean-Jacques Annaud

Jean-Jacques Annaud

Born in 1943, the French director Jean-Jacques Annaud began his career with a bang: his debut feature LA VICTOIRE EN CHANTANT, a parable about colonialism, won an Academy Award in 1977. Originally active in the advertising sector, Annaud’s name reached beyond the circle of purely French cineastes to include a much wider audience when he directed the multi award-winning literary adaptation THE NAME OF THE ROSE (1986). His boundless curiosity and enthusiasm for spectacular themes enables him over and again to bridge the gap between art and commerce. The director of such cinema hits as SEVEN YEARS IN TIBET (1997) and ENEMY AT THE GATES (2001) offers insight into his multifaceted work at this ZFF Masters session.

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Todd Haynes

Todd Haynes

Todd Haynes is one of the most interesting personalities of the current independent cinema scene. Born 1961 in Los Angeles, the screenwriter and director is considered to be the pioneer of the 1990s coined “New Queer Cinema”. Haynes continually succeeds in undermining traditional narrative structures with his uncompromising and often sublimely erotic films. His directorial debut, the science fiction drama POISON, garnered the main award at Sundance in 1991. This master of semiotics has since picked up more than 46 international awards, including the Special Jury Prize at Cannes for his glam rock homage VELVET GOLDMINE (1998), the Special Jury Prize at the Mostra in Venice for his Bob Dylan biopic I’M NOT THERE (2007), and an Academy Award nomination for FAR FROM HEAVEN (2002).

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Mike Leigh

Mike Leigh

Mike Leigh is one of Europe’s most significant auteur filmmakers. He has lived his passion for over 50 years and will, as he once put it, “still be a fucking artist when he retires”. Leigh’s ability to enthuse critics and viewers alike with such films as HIGH HOPES (1988), NAKED (1993), SECRETS & LIES (1996) and HAPPY-GO-LUCKY (2008) is underpinned by countless awards, including a Golden Palm and seven Academy Award nominations. Raised in a working-class district of Manchester, Leigh is able to capture the sorrows and hardships of the ‘common people’ with humor and sensitivity. He is one of the leading exponents of New British Cinema, a genus of filmmaking that has performed a cinematic analysis of social developments in Britain since the 1980s. Mike Leigh will accept his award in person during the Award Night on October 3. ZFF offers insight into his work with a representative retrospective screened in his honor.

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